A sorority-of-sorts reunion long in the making finally fructified this summer past. Siblings and school buddies decided to get away from it all for some rejuvenation. Given the relentless May swelter our respective cities of residence experience, an escape to Himalayan havens was a unanimous no-brainer. Besides, I was returning after a scorch proper from Ujjain where I had been parked for two weeks acquainting with the Simhastha Kumbh.
For a man of his artistic genius and versatility to nearly fade from the narrative within three centuries of his existence is a tad baffling. But for one-line references and the odd paragraph in numerable writings, travel guides, and coffee table books themed around Kutch arts and crafts, little is known of Ram Singh Malam, an incredibly multi-faceted craftsman today.Were it not for the Aina Mahal (Palace of Mirrors), his greatly diminished but still abiding pièce de résistance, Malam could well have been an easily missed footnote in the history of the arts.