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Kangra Valley in Himachal Pradesh is no stranger to art. In fact, it even lends its name to a mid-18th century school of miniature painting. In the mid-1800s, the British added to the charms of the valley by cultivating Chinese tea. In 1924, Irishwoman Norah Richards made Andretta, 12km from Palampur, her home, and urged other Lahore luminaries to follow suit. An actor and playwright, she was indulgently referred to as the “Nani of Punjabi Theatre”.
The Sea of Pain is Raul Zurita’s poignant ode to Galip Kurdi. The five year old who drowned alongside his mother and younger brother Alan–immortalised by a heart-rending image evocative of the Syrian refugee crisis–with nary a mention. Not even a fleeting one. The Chilean poet’s installation at Aspinwall House, for the ongoing Kochi Muziris Biennale, invites visitors to wade through knee-deep water in a cavernous warehouse to read, literally, the writing on the wall.
‘On their honeymoon, they seemed a perfect match: a dazzlingly handsome couple despite the twenty-four-year age difference; witty, intelligent and fashionable. Jinnah was tall and thin with sharply chiselled features; Ruttie was dainty, warm, spontaneous, with a look of sparkling mischief that made her irresistible.’
It’s out. Actually it’s been out for nearly a month, just didn’t get around to gloating about it. The launch of the Times Food Guide for Chandigarh (Mohali & Panchkula included as separate sections) took place at The Lalit on 29th March at the high decibel Times Food & Nightlife Awards ceremony.
‘On their honeymoon, they seemed a perfect match: a dazzlingly handsome couple despite the twenty-four-year age difference; witty, intelligent and fashionable. Jinnah was tall and thin with sharply chiselled features; Ruttie was dainty, warm, spontaneous, with a look of sparkling mischief that made her irresistible.’
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Kangra Valley in Himachal Pradesh is no stranger to art. In fact, it even lends its name to a mid-18th century school of miniature painting. In the mid-1800s, the British added to the charms of the valley by cultivating Chinese tea. In 1924, Irishwoman Norah Richards made Andretta, 12km from Palampur, her home, and urged other Lahore luminaries to follow suit. An actor and playwright, she was indulgently referred to as the “Nani of Punjabi Theatre”.
Read more
The Sea of Pain is Raul Zurita’s poignant ode to Galip Kurdi. The five year old who drowned alongside his mother and younger brother Alan–immortalised by a heart-rending image evocative of the Syrian refugee crisis–with nary a mention. Not even a fleeting one. The Chilean poet’s installation at Aspinwall House, for the ongoing Kochi Muziris Biennale, invites visitors to wade through knee-deep water in a cavernous warehouse to read, literally, the writing on the wall.
Read more
“Dig, boy, dig!” urged 19th century prospectors, it is said, on getting whiff of what lay beneath. Whether Digboi came by its moniker as a result of wordplay, as is popularly believed, has passed into the realm of amused conjecture. Historians will have you know that Di is a prefix meaning stream in Singpho, and the prevailing reference–Diboi Nallah, minus the ’g’–may have somewhat encouraged it. What wasn’t mere inference though were the tell-tale signs of crude oil reported from the rainforest of Upper Assam as early as 1825. A Lt R Wilcox of the 46th Regiment Native Infantry, while on a survey of the Namchik River (roughly 40kms east of Digboi) had observed ‘great bubbles of gas and green petroleum’ rising to the surface at Supkhong. And that ‘the jungles are full of an odour of petroleum’. Tea-explorer Charles Alexander Bruce also spotted ‘many oil seepages upstream of Makum’ in 1828.
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