Kangra Valley in Himachal Pradesh is no stranger to art. In fact, it even lends its name to a mid-18th century school of miniature painting. In the mid-1800s, the British added to the charms of the valley by cultivating Chinese tea. In 1924, Irishwoman Norah Richards made Andretta, 12km from Palampur, her home, and urged other Lahore luminaries to follow suit. An actor and playwright, she was indulgently referred to as the “Nani of Punjabi Theatre”.
The Sea of Pain is Raul Zurita’s poignant ode to Galip Kurdi. The five year old who drowned alongside his mother and younger brother Alan–immortalised by a heart-rending image evocative of the Syrian refugee crisis–with nary a mention. Not even a fleeting one. The Chilean poet’s installation at Aspinwall House, for the ongoing Kochi Muziris Biennale, invites visitors to wade through knee-deep water in a cavernous warehouse to read, literally, the writing on the wall.